Difference between revisions of "Qashqai Rug"

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[[File:Ghashghai rug.jpg|thumb|Ghashghai rug]]
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{{Infobox Rug and Carpet
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|above      =
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|image      = [[File:Qashqai-Rugs-Rugman-Collection.jpg|frameless|220px]]
  
The early history of the Qashqai people remains obscure. They speak a Turkic dialect similar to that of Azerbaijan, and may have migrated to the Fars province from the north during the thirteenth century, possibly driven by the Mongol invasion. Karim Khan Zand appointed the chief of the Chahilu clan as the first Il-Khan of the Qashqai.[26] The most important subtribes are the Qashguli, Shishbuluki, Darashuri, Farsimadan, and Amaleh. The Gallanzan, Rahimi, and Ikdir produce rugs of intermediate quality. The rugs woven by the Safi Khani and Bulli subtribes are considered among the highest quality rugs.[55] The rugs are all wool, usually with ivory warps, which distinguishes Qashqai from Khamseh rugs. Qashqai rugs use asymmetric knots, while Gabbeh rugs woven by Qashqai more often use symmetric knots. Alternate warps are deeply depressed. Wefts are in natural colours or dyed red. The selvedges are overcast in wool of different colours, creating a "barber pole" pattern, and are sometimes adorned with woolen tassels. Both ends of the rug have narrow, striped flat-woven kilims. Workshops were established in the nineteenth century already around the town of Firuzabad. Rugs with repeating boteh and the Herati pattern, medallion, as well as prayer rug designs resembling the millefleurs patterns of Indian rugs were woven in these manufactures. The Herati design may sometimes appear to be disjointed and fragmented. The Qashqai are also known for their flatweaves, and for their production of smaller, pile-woven saddle bags, flat-woven larger bags (mafrash), and their Gabbeh rugs.{{citation needed}}
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|caption    = Design of Qashqai Rug ([https://www.rugman.com/carpet-design/qashqai-rugs/ Rugman])
  
<!-- from Wikipedia: https://en.wikipedia.org/wiki/Persian_carpet#Qashqai -->
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|image2      =
==History==
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|caption2    =  
  
==Materials==
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<!--General information-->
  
===Foundation===
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|Name            = Qashqai Rug
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|Original name    = قالی قشقایی
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|Alternative names      = Qashqai Carpet
  
===Pile===
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|Origin    = {{flag|Iran}}: Fars
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|Category      = [[Tribal Style|Tribal]], [[Villege Style|Villege]]
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|Prime examples      =  
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|Master designers    =  
  
==Techniques and structures==
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|To know more      =  
  
===Color and dyeing===
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<!--Technical information-->
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|Common designs      = [[Moharamt Design|Moharamat]], [[Herati Design|Herati]] (Fish), [[Afshan Design|Afshan]], [[Boteh Design|Boteh]], [[Geometric Design|Geometric]]
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|Common motifs & patterns      = Like to [[Isfahan Rug]]
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|Common sizes      =  
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|Common colors    = Crimson, Blue, Navy Blue, Green, Yellow,
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|Dyeing method    = [[Natural Dyeing|Natural]], [[Synthetic Dyeing|Synthetic]]
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|Pile material      = [[Wool]], [[Silk]]
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|Foundation material    = [[Cotton]], Silk
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|Weaving Technique      =
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|Knot type      = [[Asyemmetrical Knot|Asyemmetrical]] (Persian), [[Jufti Knot|Jufti]]
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|Knot density    =  
  
===Motifs and patterns===
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|additional info      =  
 
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}}
===Weaving techniques===
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The early history of the Qashqai people remains obscure. They speak a Turkic dialect similar to that of Azerbaijan, and may have migrated to the Fars province from the north during the thirteenth century, possibly driven by the Mongol invasion. Karim Khan Zand appointed the chief of the Chahilu clan as the first Il-Khan of the Qashqai.[26] The most important subtribes are the Qashguli, Shishbuluki, Darashuri, Farsimadan, and Amaleh. The Gallanzan, Rahimi, and Ikdir produce rugs of intermediate quality. The rugs woven by the Safi Khani and Bulli subtribes are considered among the highest quality rugs.[55] The rugs are all wool, usually with ivory warps, which distinguishes Qashqai from Khamseh rugs. Qashqai rugs use asymmetric knots, while Gabbeh rugs woven by Qashqai more often use symmetric knots. Alternate warps are deeply depressed. Wefts are in natural colours or dyed red. The selvedges are overcast in wool of different colours, creating a "barber pole" pattern, and are sometimes adorned with woolen tassels. Both ends of the rug have narrow, striped flat-woven kilims. Workshops were established in the nineteenth century already around the town of Firuzabad. Rugs with repeating boteh and the Herati pattern, medallion, as well as prayer rug designs resembling the millefleurs patterns of Indian rugs were woven in these manufactures. The Herati design may sometimes appear to be disjointed and fragmented. The Qashqai are also known for their flatweaves, and for their production of smaller, pile-woven saddle bags, flat-woven larger bags (mafrash), and their Gabbeh rugs.
 
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<!-- from Wikipedia: https://en.wikipedia.org/wiki/Persian_carpet#Qashqai -->
==Commercial aspects==
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== History ==
 
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== Materials ==
==Cultural aspects==
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=== Foundation and Pile ===
 
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== Techniques and structures ==
==Gallery==
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=== Color and dyeing ===
<gallery widths="240px" heights="250px">
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=== Motifs and patterns ===
File:Ghashghai rug.jpg|thumb|Ghashghai rug
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=== Weaving techniques ===
File:Qashqai tas front.jpg|thumb|Qashqai tas front
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== See also ==
File:Ghashghai rug.jpg|thumb|Ghashghai rug
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== References ==
File:Ghashghai rug.jpg|thumb|Ghashghai rug
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{{Reflist}}
File:Abrash.JPG|thumb| Section (central medaillon) of a South Persian rug, probably Qashqai, late 19th century, showing irregular colours Abrash
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== Bibliography ==
</gallery>
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* Abraham Levi Moheban, (2015), ''[[The Encyclopedia of Antique Carpets|The Encyclopedia of Antique Carpets: Twenty-Five Centuries of Weaving]]'', NewYork: Princeton Architectural Press.
 
 
==See also==
 
 
 
==References==  
 
 
 
==Further readings==
 
 
 
==External links==
 
 
[[Category:Persian Rug and Carpet]]
 
[[Category:Persian Rug and Carpet]]
 
[[Category:Rug and Carpet]]
 
[[Category:Rug and Carpet]]
 
[[fa:قالی_قشقایی]]
 
[[fa:قالی_قشقایی]]

Revision as of 08:06, 3 December 2019

Qashqai Rug
Qashqai-Rugs-Rugman-Collection.jpg
Design of Qashqai Rug (Rugman)
General information
NameQashqai Rug
Original nameقالی قشقایی
Alternative name(s)Qashqai Carpet
Origin Iran: Fars
CategoryTribal, Villege
Technical information
Common designsMoharamat, Herati (Fish), Afshan, Boteh, Geometric
Common motifs & patternsLike to Isfahan Rug
Common colorsCrimson, Blue, Navy Blue, Green, Yellow,
Dyeing methodNatural, Synthetic
Pile materialWool, Silk
Foundation materialCotton, Silk
Knot typeAsyemmetrical (Persian), Jufti


The early history of the Qashqai people remains obscure. They speak a Turkic dialect similar to that of Azerbaijan, and may have migrated to the Fars province from the north during the thirteenth century, possibly driven by the Mongol invasion. Karim Khan Zand appointed the chief of the Chahilu clan as the first Il-Khan of the Qashqai.[26] The most important subtribes are the Qashguli, Shishbuluki, Darashuri, Farsimadan, and Amaleh. The Gallanzan, Rahimi, and Ikdir produce rugs of intermediate quality. The rugs woven by the Safi Khani and Bulli subtribes are considered among the highest quality rugs.[55] The rugs are all wool, usually with ivory warps, which distinguishes Qashqai from Khamseh rugs. Qashqai rugs use asymmetric knots, while Gabbeh rugs woven by Qashqai more often use symmetric knots. Alternate warps are deeply depressed. Wefts are in natural colours or dyed red. The selvedges are overcast in wool of different colours, creating a "barber pole" pattern, and are sometimes adorned with woolen tassels. Both ends of the rug have narrow, striped flat-woven kilims. Workshops were established in the nineteenth century already around the town of Firuzabad. Rugs with repeating boteh and the Herati pattern, medallion, as well as prayer rug designs resembling the millefleurs patterns of Indian rugs were woven in these manufactures. The Herati design may sometimes appear to be disjointed and fragmented. The Qashqai are also known for their flatweaves, and for their production of smaller, pile-woven saddle bags, flat-woven larger bags (mafrash), and their Gabbeh rugs.

History

Materials

Foundation and Pile

Techniques and structures

Color and dyeing

Motifs and patterns

Weaving techniques

See also

References

Bibliography