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| === the 10th National Carpet Design Contest === | | === the 10th National Carpet Design Contest === |
| '''Winners'''<ref>http://www.ihib.org.tr/tr/2016-10-hali-tasarim-yarismasi</ref>: | | '''Winners'''<ref>http://www.ihib.org.tr/tr/2016-10-hali-tasarim-yarismasi</ref>: |
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| + | [[File:Muhammed Türk.jpg|right|thumb|200px|Muhammed Türk, Designer Carpet in Istanbul Carpet Week 2016]] |
| * '''Muhammed Türk'''<br> | | * '''Muhammed Türk'''<br> |
| The Carpet ‘Destruction’ by designer Muhammad Türk took first place in the competition. He describes his design as a protest against the destruction of historical monuments by badly done restorations. He juxtaposed a central series of traditional Islamic geometrics done in a blood-hued red on a black background against a wash of blues and earth colors to represent the sweeping away of tangible evidences of the past.<ref>http://rugnews.com/ME2/dirmod.aspsid=0DAB59D70A93452A92E82D8312BEFBAA&nm=News+Archives&type=Publishing&mod=Publications%3A%3AArticle&mid=B057D339E04A4FFF99DB9FEEB9BDA02F&tier=4&id=F7B1F5E4248445F18807B13A9EDCD5E7</ref><br> | | The Carpet ‘Destruction’ by designer Muhammad Türk took first place in the competition. He describes his design as a protest against the destruction of historical monuments by badly done restorations. He juxtaposed a central series of traditional Islamic geometrics done in a blood-hued red on a black background against a wash of blues and earth colors to represent the sweeping away of tangible evidences of the past.<ref>http://rugnews.com/ME2/dirmod.aspsid=0DAB59D70A93452A92E82D8312BEFBAA&nm=News+Archives&type=Publishing&mod=Publications%3A%3AArticle&mid=B057D339E04A4FFF99DB9FEEB9BDA02F&tier=4&id=F7B1F5E4248445F18807B13A9EDCD5E7</ref><br> |
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| * '''THEME: DESTRUCTION'''<br> | | * '''THEME: DESTRUCTION'''<br> |
| Every day, historical monuments and natural beauties are destroyed because of badly done restoration, the fact that human needs are increasing and insufficient education. In this work, my objective is to draw attention to this destruction and state that history is so strong and visible that is is impossible to destroy it. History will always be found underground.<ref>hali_yarismasi_katalog_2016.pdf</ref> | | Every day, historical monuments and natural beauties are destroyed because of badly done restoration, the fact that human needs are increasing and insufficient education. In this work, my objective is to draw attention to this destruction and state that history is so strong and visible that is is impossible to destroy it. History will always be found underground.<ref>hali_yarismasi_katalog_2016.pdf</ref> |
− | [[File:Muhammed Türk.jpg|center|thumb|300px|Muhammed Türk, Designer Carpet in Istanbul Carpet Week 2016]] | + | |
| + | [[File:Senem Kula.jpg|left|thumb|200px|Senem Kula, Designer Carpet in Istanbul Carpet Week 2016]] |
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| * '''Senem Kula'''<br> | | * '''Senem Kula'''<br> |
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| * '''THEME: CYCLE'''<br> | | * '''THEME: CYCLE'''<br> |
| Every artefact that shows vitality, after beingtreated by the human hand, tries to return to its previous existence… to nature. In time, it loses colour and changes shape. The project based on this idea, using totally natural jute and naturally dyed indigo, presents a human friendly 100% sustainable design with cheap raw material adding to its design value. It brings a modern alternative and different material to traditional methods.<ref>hali_yarismasi_katalog_2016.pdf</ref> | | Every artefact that shows vitality, after beingtreated by the human hand, tries to return to its previous existence… to nature. In time, it loses colour and changes shape. The project based on this idea, using totally natural jute and naturally dyed indigo, presents a human friendly 100% sustainable design with cheap raw material adding to its design value. It brings a modern alternative and different material to traditional methods.<ref>hali_yarismasi_katalog_2016.pdf</ref> |
− | [[File:Senem Kula.jpg|center|thumb|300px|Senem Kula, Designer Carpet in Istanbul Carpet Week 2016]]
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| * '''Faruk Açıkgöz'''<br> | | * '''Faruk Açıkgöz'''<br> |