Qashqai Rug
Qashqai Rug | |
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![]() Design of Qashqai Rug ([1]) | |
General information | |
Name | Qashqai Rug |
Original name | قالی قشقایی |
Alternative name(s) | Qashqai Carpet |
Origin | ![]() |
Category | Tribal, Villege |
Technical information | |
Common designs | Moharamat, Herati (Fish), Afshan, Boteh, Geometric |
Common motifs & patterns | Like to Isfahan Rug |
Common colors | Crimson, Blue, Navy Blue, Green, Yellow, Brown, White, Cream |
Dyeing method | Natural, Synthetic |
Pile material | Wool |
Foundation material | Cotton, Wool |
Knot type | Asyemmetrical (Persian), Syemmetrical (Turkish) |
The early history of the Qashqai people remains obscure. They speak a Turkic dialect similar to that of Azerbaijan, and may have migrated to the Fars province from the north during the thirteenth century, possibly driven by the Mongol invasion. Karim Khan Zand appointed the chief of the Chahilu clan as the first Il-Khan of the Qashqai.[26] The most important subtribes are the Qashguli, Shishbuluki, Darashuri, Farsimadan, and Amaleh. The Gallanzan, Rahimi, and Ikdir produce rugs of intermediate quality. The rugs woven by the Safi Khani and Bulli subtribes are considered among the highest quality rugs.[55] The rugs are all wool, usually with ivory warps, which distinguishes Qashqai from Khamseh rugs. Qashqai rugs use asymmetric knots, while Gabbeh rugs woven by Qashqai more often use symmetric knots. Alternate warps are deeply depressed. Wefts are in natural colours or dyed red. The selvedges are overcast in wool of different colours, creating a "barber pole" pattern, and are sometimes adorned with woolen tassels. Both ends of the rug have narrow, striped flat-woven kilims. Workshops were established in the nineteenth century already around the town of Firuzabad. Rugs with repeating boteh and the Herati pattern, medallion, as well as prayer rug designs resembling the millefleurs patterns of Indian rugs were woven in these manufactures. The Herati design may sometimes appear to be disjointed and fragmented. The Qashqai are also known for their flatweaves, and for their production of smaller, pile-woven saddle bags, flat-woven larger bags (mafrash), and their Gabbeh rugs.
History
Materials
Foundation and Pile
Techniques and structures
Color and dyeing
Motifs and patterns
Weaving techniques
See also
References
Bibliography
- Abraham Levi Moheban, (2015), The Encyclopedia of Antique Carpets: Twenty-Five Centuries of Weaving, NewYork: Princeton Architectural Press.