Abadeh Rug

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Abadeh Rug
Abadeh-Rugs-Rugman-Collection.jpg
Design of Abadeh Rug (Rugman)
General information
NameAbadeh Rug
Original nameقالی آباده
Alternative name(s)Abadeh Carpet
Origin Iran: Fars
CategoryVillage
Technical information
Common designsTribal, Geometric, Vase
Common colorsRed, Ivory, Beige, Blue, Yellow
Dyeing methodNatural, Synthetic
Pile materialWool
Foundation materialCotton, Goat Hair
Knot typeSymmetrical (Turkish), Asymmetrical (Persian)


Abadeh Rug originate from the town of Abadeh. Located in the tribal and nomadic region of Iran between Isfahan and Shiraz, it is well known for marquetry, making light cotton summer shoes called givehs, and for magnificent hand-woven wool rugs. Women of Qashqai origin ply their centuries old craft primarily using flat woven style knots, creating exquisite rugs that are very firm and closely knotted. The Qashqai are a tribal federation of different ethnic backgrounds including Arabs, Kurds, Lurs, and Turks. The influence of Turkoman and Caucasian styles is evident in their designs. Abadeh rugs are woven in the village on smaller looms usually kept in the living room or main bedroom and can take from months up to one or two years to complete, depending on the size.

History

Abadeh is a town located on the main road between Isfahan and Shiraz in the Fars Province of southwestern Iran. Abadeh rugs are known in the market from the mid-twentieth century.[1]

Materials

Foundation and Pile

The rugs have a cotton foundation and a wool pile. [2]

Techniques and structures

Color and dyeing

The background colors of Abadeh rugs are mainly reds, but gold, blues, turquoise, camel, and ivory also appear. The borders, in general, have reds or dark blues. In addition to these colors, shades of green, brown, cinnamon, and gray were used for the flowers and design elements. Dark brown or black was used for design outlines. [3] The colors on Abadeh rugs are traditionally dark blue, bright green, and light red, while the corners are usually ivory or white.

Motifs and Designs

The designs are geometric and have SHIRAZ regional tribal styles. The patterns are allover, single medallion, or multiple medallions in the center of the field. Generally, the medallions are lozenge-shaped and surrounded by stylized Hook motifs. Small flower heads, leaves, vines, animals, and birds are applied in the field designs. Early Abadeh rugs, especially those of high quality, have the ZILI SULTAN pattern of vase with flower bouquets and birds on both sides repeated in the field on an ivory background.[4]
Abadeh rugs are known for the Heybatlu design - a single diamond-shaped medallion in the center and four smaller medallions at each corner. This very distinctive design has virtually remained unchanged for decades. The medallion on Abadeh rugs encloses a number of stylized, geometrical animal, flower, and bird patterns. Stylized tree of life motifs emanate from the center rosette and the spandrels, while many small geometric motifs are interspersed throughout the field and medallion.

Weaving techniques

The Persian (asymmetric) knot is used. Abadeh rug grade quality is medium to fine, with excellent tribal pile wool. The rugs were made with a double weft and are durable. The dimensions range from mats to small room-size rugs. Large quantities of square-format rugs, suitable for the European market, were produced. Abadeh rugs were exported in high volume because of their durability and nomadic designs.
By the late twentieth century, some weavers from Abadeh converted from their original designs to make carpets and rugs in the styles of other weaving regions in Iran to meet the demand of domestic and export consumers.[5] The sizes of Abadeh rugs tend to be mid-size ranging up to 7’ by 10’ and rug runners ranging up to 16’.

See also

Shiraz Rug, Heybatlu

References

  1. Moheban, 2015, p.33
  2. Moheban, 2015, p.33
  3. Moheban, 2015, p.33
  4. Moheban, 2015, p.33
  5. Moheban, 2015, p.33

Bibliography

Abraham Levi Moheban, (2015), The Encyclopedia of Antique Carpets: Twenty-Five Centuries of Weaving, NewYork: Princeton Architectural Press.