Persian Carpets/Pre-Islamic Carpets

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1000px-Icon Writer.svg.png Written by Karen S. Rubinson. An earlier version of this article was originally published as Karen S. Rubinson. "CARPETS vi. Pre-Islamic Carpets". Encyclopædia Iranica. IV/8, pp. 858-861.

Since 1966, when Hans Wulff wrote “There is no field in the industrial arts in Persia that is as important as carpet weaving, and yet little is known about its early development”[1], little new information has become available. Indeed, the evidence for textiles of all kinds in pre-Islamic Iran is very sparse.

vi. Pre-Islamic Carpets

Since 1966, when Hans Wulff wrote “There is no field in the industrial arts in Persia that is as important as carpet weaving, and yet little is known about its early development”[2], little new information has become available. Indeed, the evidence for textiles of all kinds in pre-Islamic Iran is very sparse. It is necessary to supplement the few remains of actual textiles with an examination of representations in art and other kinds of indirect evidence of production, for example, preserved impressions and pseudomorphs from excavations[3]. In this discussion, the focus will be on preserved textiles in general, in order to demonstrate the range of fibers and techniques in use in Iran over time and thus to provide a context for the development of carpet making.
Interworking of fibers to produce cloth was known in Iran as early as the 5th-millennium b.c.; two ceramic vessels of the Dalma period[4] containing infant burials, from mound B at Seh Gābī in Kurdistan, yielded impressions of textiles and a preserved fragment as well[5]. The corroded surface of a proto-Elamite[6] copper mirror found in Tomb 2 at Sialk[7] in north-central Iran, dating to about 3000 b.c., preserves what appear to be shreds of S-spun linen[8]. Other textiles are preserved from later 3rd-millennium contexts. At Tepe Hissar[9], in northeastern Iran, two copper daggers with fragments of charred cloth in the area of the grip were found in the Burned Building of level IIIB, and another, in an IIIC grave, preserved traces of a grip of cloth and wood[10]. A copper ax from Susa had been wrapped in two pieces of cloth, of which traces were preserved. Analysis indicates that both were of linen, one coarse, the other finely woven[11].
By the late 2nd millennium b.c. cording was known; the technique was later used in the selvages of carpets[12].
In the tombs at Marlik[13] on the southwest Caspian coast, which date from this period or perhaps the beginning of the 1st-millennium b.c.[14], were found fragments of unidentified fabric, including cords and woven bands[15]. In addition, adhering to the surface of a bronze beaker from tomb 39 were traces of a fabric in which it may have been wrapped before burial[16]. Tomb C-I at the approximately contemporary site of Ghalekuti[17] in Deylamān contained a mirror with remains of hemp or flax cloth adhering to it, as well as fragmentary strings of hemp or flax that appear to have provided suspension for jewelry[18].

File:File:Pazyryk Carpet-Hermitage Museum-WikiRug.jpg
Although Xenophon mentions that the Persian kings made use of “Median carpets” of a yielding softness, no example is preserved from Achaemenid Persia itself[29]. The earliest well-preserved pile carpet that has been excavated was found in kurgan 5 at the site of Pazyryk in the Altai Mountains of southern Siberia; it has often erroneously been identified as “Persian,” even by the excavator. , Pazyryk Carpet, 5th-4th century BC, Hermitage Museum

Hasanlu[19], near Lake Urmia in Azerbaijan, was destroyed in an attack at the end of the 9th-century b.c.[20], and a relatively large sample of textiles survived the resulting fire[21]. The pieces include one- and two-ply yarns, exhibiting both S and Z spin, preserved as woven fabric, fringe, tassels, and balls of thread. One example appears to have a kind of pile, with small loops occurring at intervals; its function is, however, unknown. Although the fibers have not been completely analyzed, the textiles from both Bronze and Iron Age levels include a large preponderance of wool, as well as bast; a second, unspecified vegetal fiber; and goat hair[22]. Impressions of textiles were also preserved on a silver-and-electrum beaker; presumably, it had been wrapped in fabric for storage[23]. Excavations in the grave of a young girl[24] at Haftavan[25] Tepe, north of Hasanlu, also of the 9th-century b.c., produced the remains of a headdress, which had been made of plain-woven cloth, as well as bits of the thread that had secured decorative bronze disks to it[26].
Another piece of evidence that pile carpets may have been produced in the ancient Near East is to be found on stone slabs from the entrances of residences of the Neo-Assyrian kings, beginning with Tiglath-pileser III[27], which are decorated with geometric designs that may represent such carpets[28]. Although Xenophon mentions that the Persian kings made use of “Median carpets” of a yielding softness, no example is preserved from Achaemenid Persia itself[29]. The earliest well-preserved pile carpet that has been excavated was found in kurgan 5 at the site of Pazyryk in the Altai Mountains of southern Siberia; it has often erroneously been identified as “Persian,” even by the excavator[30]. As kurgan 5 dates from the end of the 4th or the beginning of the 3rd century b.c., however, the carpet probably does not belong to the Achaemenid period, though it may well reflect the influence of Achaemenid carpet design. The carpet, which is preserved to nearly full size, originally measured 1.83 by 2 m. The field is divided into 24 framed squares, each containing a stylized floral element that may ultimately have been derived from the quatrefoils of Assyrian prototypes[31]. The border consists of five stripes separated by narrow guards of alternating black, tan, and red squares outlined in black, flanked by narrow tan bands edged in black[32]. The outer and inner stripes contain schematic lion-griffins with heads turned back; the heads in the outer stripe face to the left, those of the inner stripe to the right. In the second stripe from the outside is a row of horses with crenellated manes, some ridden and some accompanied by walking male figures wearing caps; the ground is rust-colored. The walking figures resemble the tribute bearers on reliefs at Persepolis[33], and it is this motif that originally suggested a Persian origin for the carpet. Near one corner of this stripe, there are two circles with rosettes in the centers, which have led one scholar to infer that the carpet may have been a game board[34]. The fact that the horsemen are both mounted and on foot, in contrast to the figures on the Persepolis friezes, suggests that this border pattern was a rather distant adaptation of the Achaemenid original.[35] The central border stripe contains stylized floral elements similar to those in the squares of the field, in rust, white, and black on a tan ground. The remaining stripe contains a frieze of reddish, spotted animals with lowered heads on a buff ground; they were identified by the excavator as fallow deer[36]. The haunches are patterned with the Achaemenid “dot and comma” motif[37], and decorative polychrome bands run along the backs and necks, but the relatively naturalistic body contours and pose with lowered head suggest that the carpet was made in Central Asia or Siberia, where this animal and the naturalistic representation of animals, in general, were indigenous[38]. The pile consists of symmetrical knots, 3,600 to the dm2[39]. It should be noted that kurgan 2 at Bashadar in the Altai, dating about 100 years earlier than Pazyryk kurgan 5, yielded fragments of a much finer knotted carpet, with 7,000 asymmetrical knots to the dm2[40]. It is, however, too fragmentary to permit the determination of its design or function.
No pile carpet remains are extant from Persia before the Sasanian period, though fragments of Parthian wool textiles are common. Some pieces from tombs in the Germī region of eastern Azerbaijan, near the Soviet border, are reported to be colored blue, orange, brown, and cream and to include among their design repertory swastika motifs and checkered patterns, as well as Greek-key borders[41]. At Shahr-i Qumis[42] in Gorgān part of a black/brown felt garment, with the edge of the neckline and part of the left shoulder preserved, has been excavated. It is dated to the first half of the 1st-century b.c. The silk cord that presumably secured the neck opening is the oldest excavated piece of silk known from Iran at present. Felt fragments, colored red and black, were also found in the Parthian levels at Shahr-i Qumis[43]. Hemp cord and other textile remain from the Parthian period have been found in tombs at Naruzmahale[44] on the Caspian coast[45].
From the Sasanian period a rich legacy of textile imagery and literary references has survived[46], but it is only from the Sasanian levels at Shahr-i Qumis that actual Sasanian textiles are preserved[47]. They include several yellowed fragments with the pile, identified as rugs, and fabrics of wool or wool and cotton, some with patterns; a fragment striped in red/orange, white, and blue; another with brown and white stripes; a white shroud ornamented with a single green thread; a piece decorated with white palmettes; and another with a blue ground and white “pearls.” Fragments of linen were also found at the site[48]. One of the Sasanian fragments from Shahr-i Qumis has been identified as a zīlū[49], but the identification is controversial[50].

References

  1. Crafts, p. 212
  2. Crafts, p. 212
  3. for a recent summary of all this evidence, see Kawami
  4. see ceramics, chalcolithic, zagros
  5. Levine p. 180
  6. Period IV
  7. Sīalk
  8. Pfister, pp. 201-02 and pl. XXXII/13; Ghirshman 1938, p. 64 and pl. XXIX/3
  9. Ḥeṣār
  10. Schmidt, p. 201 and pls. I, L
  11. Lecaisne, p. 162 and suppl. pl. XLIII
  12. [WikiRug: For more information see "iii. Knotted-Pile Carpets: Techniques and Structures" and "v. Flat-woven carpets. Techniques and structures"]
  13. Mārlīk
  14. Muscarella, pp. 416-17
  15. Negahban, 1964, fig. 88 and p. 50
  16. Negahban, 1983, p. 77, no. 50
  17. Qaḷʿa-ye Kotī
  18. Egami et al., 1965, p. 31 and pl. LXXV/88-90
  19. Ḥasanlū
  20. level IVB
  21. Dyson and Muscarella; Maude de Schauensee, personal communication
  22. de Schauensee, personal communication
  23. Porada, p. 2971, pl. 1488
  24. grave 3, area Pl
  25. Haftavān
  26. Burney, pp. 134-35, fig. 8, and pl. IVa
  27. 745-27 b.c.
  28. Albenda
  29. Cyropaedia 5.5.7, 8.8.15-16; cf. Wulff, p. 212
  30. Rudenko, 1970, p. 304
  31. Albenda, p. 3
  32. Rudenko, 1968, pp. 40ff.; idem, 1970, pp. 298ff.
  33. e.g., Ghirshman, 1964, p. 184, pl. 231, p. 176 pl. 222
  34. Jettmar, p. 121
  35. This observation was made by Judith Lerner.
  36. Cervus dama; Rudenko, 1968, p. 42
  37. cf. Ghirshman, 1964, p. 239, pl. 286
  38. Rubinson; Farkas, pp. 24-25
  39. Rudenko, 1968, pp. 48-49; idem, 1970, p. 302
  40. Rudenko, 1968, p. 49; idem, 1970, p. 302
  41. Matheson, p. 75
  42. Šahr-e Qūmes
  43. Hansman and Stronach, 1970a, pp. 49-52; Nunome, pp. 341-43
  44. Nowrūz-maḥalla
  45. Egami et al., 1966, Japanese text pp. 14, fig. 2/1; 17, fig. 3; English tr., p. 18
  46. [WikiRug: For more information about BAHĀR-E KESRĀ see Iranica, "BAHĀR-E KESRĀ"]
  47. Ackerman, pp. 69lff.; Bier, pp. 119-25
  48. Hansman and Stronach, 1970a, p. 40; idem, 1970b, pp. 154-55, pls. I-IV and p. 154 fig. 7; Bier, pp. 119, 123; Kawami, appendix
  49. Vogelsang-Eastwood
  50. [WikiRug: For more information see "v. Flat-woven carpets. Techniques and structures"]

Bibliography

  1. P. Ackerman, “Textiles through the Sasanian Period,” in Survey of Persian Art I, pp. 681-715.
  2. P. Albenda, “Assyrian Carpets in Stone,” The Journal of the Ancient Near Eastern Society of Columbia University 10, 1978, pp. 1-34.
  3. C. M. Bier, “Textiles” in P. O. Harper, The Royal Hunter. Art of the Sasanian Empire, New York, 1978, pp. 119-40.
  4. C. Burney, “Excavations at Haftavan Tepe 1969. Second Preliminary Report,” Iran 10, 1972, pp. 127-42.
  5. R. H. Dyson, Jr., and O. W. Muscarella, “Constructing the Chronology and Historical Implications of Hasanlu IV,” Iran 27, 1989, pp. 1-27.
  6. N. Egami, S. Fukai, and S. Masuda, Dailaman I: The Excavations at Ghalekuti and Lasulkan, The Tokyo University Iraq-Iran Archaeological Expedition Report 6, Tokyo, 1965; II: The Excavations at Noruzmahale and Khoramrud 1960, The Tokyo University Iraq-Iran Archaeological Expedition Report 7, Tokyo, 1966.
  7. A. R. Farkas, “The Near East,” in E. C. Bunker, C. B. Chatwin, and A. R. Farkas, “Animal Style”Art from East to West, New York, 1970, pp. 19-59.
  8. R. Ghirshman, Fouilles de Sialk, près de Kashan, 2 vols., Paris, 1938-39.
  9. Idem, The Art of Ancient Iran, New York, 1964.
  10. J. Hansman and D. Stronach, “Excavations at Shahr-i Qumis, 1967,” JRAS, 1970a/1, pp. 29-62.
  11. Idem, “A Sasanian Repository at Qumis,” JRAS 1970b/2, pp. 142-55.
  12. K. Jettmar, Art of the Steppes, New York, 1967.
  13. T. Kawami, “Archaeological Evidence for Textiles in Pre-Islamic Iran,” Iranian Studies 23, 1989 (forthcoming).
  14. M. L. Lecaisne, “Note sur les tissus recouvrant des haches en cuivre,” MDFP 13, 1912, pp. 163-64 and suppl. pl. XLIII.
  15. L. D. Levine, “Seh Gabi,” Iran 10, 1972, pp. 179-80.
  16. S. Matheson, Persia. An Archaeological Guide, Park Ridge, N. J., 1973.
  17. O. W. Muscarella, “Fibulae and Chronology, Marlik and Assur,” Journal of Field Archaeology, 1984, pp. 413-19.
  18. E. O. Negahban, A Preliminary Report on Marlik Excavation. Gohar Rud Expedition, Rudbar, 1961-62, Tehran, 1964.
  19. Idem, Metal Vessels From Marlik, Prähistorische Bronzefunde, Abt. II, Bd. 3, Munich, 1983.
  20. J. Nunome, The Origins of Sericulture and Ancient Silks (in Japanese), Tokyo, 1979; Eng. tr. courtesy Department of Near Eastern Art, The Metropolitan Museum of Art, New York.
  21. C. Parham, “How Altaic/Nomadic Is the Pazyryk Carpet?” Oriental Rug Review 13/5, June-July, 1993, pp. 34-39.
  22. R. Pfister, “Traces de tissu sur un miroir en cuivre provenant d’une tombe proto-élamite de Sialk (période VI),” in R. Ghirshman, Fouilles de Sialk, près de Kashan II, Paris, 1939, pp. 201-02 and pl. XXXII.
  23. E. Porada, “Notes on the Gold Bowl and Silver Beaker from Hasanlu,” in Survey of Persian Art XIV, pp. 2971-78.
  24. K. S. Rubinson, “A Reconsideration of Pazyryk,” in G. Seaman, ed., Ecology and Empire. A Symposium on Nomads in the Cultural Evolution of the Old World, forthcoming.
  25. S. I. Rudenko, Drevneĭshie v mire khudozhestvennye kovry i tkani, Moscow, 1968.
  26. Idem, Frozen Tombs of Siberia, tr. M. W. Thompson, Berkeley, 1970.
  27. E. F. Schmidt, Excavations at Tepe Hissar, Damghan, Philadelphia, 1937.
  28. G. M. Vogelsang-Eastwood, “Zilu Carpets from Iran,” Studia Iranica 17, 1988, pp. 225-40.

Source

  1. Karen S. Rubinson. "CARPETS vi. Pre-Islamic Carpets". Encyclopædia Iranica. IV/8, pp. 858-861.

External links

Encyclopædia Iranica