Difference between revisions of "WikiRug:POTD/2019/11/10"

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(Created page with "<div style="text-align:center;"> center|350px EXIT OF SHIRIN AND FARHAD (2012)<br> [http://www.silkroadartgallery.com/portfolios/exit-of-shirin-a...")
 
 
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[[File:Babak Kazemi 1.png|center|350px]]
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[[File:Babak Golkar 1.jpg|center|350px]]
  
EXIT OF SHIRIN AND FARHAD (2012)<br>
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Grounds For Standing and Understanding (2012)<br>
[http://www.silkroadartgallery.com/portfolios/exit-of-shirin-and-farhad/ Babak Kazemi]<br>
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[http://babakgolkar.ca/ Babak Golkar]<br>
Babak Kazemi revisits the story of Shirin and Farhad in order to comment on the contemporary struggle of lovers who must leave their homelands to find the freedom to love. The figure of King Khosrow also provides him with a potent symbol for the kind of emotional control and suppression that men and women still endure today. Ultimately, however, Kazemi’s message is that love can overcome even the most difficult situations.<br>
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The work unites the relationship between the two dimensional and three dimensional as well as architecture and art, with miniature structures shooting off the flat Persian carpet surface. The structures also question the frequent tension between Eastern and Western societies, with the Eastern nations constantly being influenced by the Western world, the erected buildings represent symbols of Western patriotism. ([https://cover-magazine.com/news/grounds-for-standing-and-understanding-by-babak-golkar/ Cover])

Latest revision as of 05:49, 7 December 2019

Babak Golkar 1.jpg

Grounds For Standing and Understanding (2012)
Babak Golkar
The work unites the relationship between the two dimensional and three dimensional as well as architecture and art, with miniature structures shooting off the flat Persian carpet surface. The structures also question the frequent tension between Eastern and Western societies, with the Eastern nations constantly being influenced by the Western world, the erected buildings represent symbols of Western patriotism. (Cover)